Loutkář je nejstarší loutkářský odborný časopis na světě. Vychází s pauzou válečných let od roku 1912 dodnes a je tak vlastně živou kronikou českého loutkového divadla.
EDITORIAL
Lešková-Dolenská Kateřina: Editorial
OSOBNOST
Králová Markéta: Stále zůstává v čele
Králová Markéta: Divadlo je obraz doby (rozhovor – Karel Šefrna)
TÉMA
Lešková-Dolenská Kateřina: Je na čase obnovit stará přátelství (rozhovor – Slavčo Malenov)
Lešková-Dolenská Kateřina: Mám ráda české divadlo (rozhovor – Maja Petrova)
Lešková-Dolenská Kateřina: Je to krásná práce, ale velmi stresující (rozhovor – Craicun, Ana Lambru)
Crisan, Mihai a Valter, Radu: Stručný náhled do dějin
Malíková, Nina: Nomádka Irina Niculescu (rozhovor – Irina Niculescu)
Lešková-Dolenská, Kateřina: Fenomén Karagöz
Lešková-Dolenská, Kateřina: O našem oboru se dnes mnohem víc ví (rozhovor – Stathis Makropoulos)
Strejčková, Hana: Měli bychom se stát loutkou (rozhovor – Eirini Patoura)
Sitasová, Amaranth: Loutkáři na Kypru bojují o přežití
Lešková-Dolenská, Kateřina: České loutkářství mě fascinuje (rozhovor – Işinsu Ersan)
RECENZE
Šlechtová, Ema: Damúza a její cesta k divákovi (v Chrudimi) (recenze – Damúza: Já, ty a to, Honza Pták, Kar)
Šlechtová, Ema: Continuo v Chrudimi: Na vážno (recenze – Divadlo Continuo: Zuna, Mea Culpa)
Leška, Rudo: Buchty a opera (recenze – Buchty a loutky: Calisto, Acis a Galatea, Bludný Holanďan)
Hulec, Vladimír: To, co teď máš / To, co teď jsi / To, co teď vidíš / (recenze – Jiří Adámek: )
KONTEXT
Vondráková, Adéla: Loutky na těch největších jevištích (recenze – Broadway, West End: )
Hlubučková, Petra: Král Broadwaye (recenze – Broadway: King Kong)
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FESTIVAL
Lešková-Dolenská, Kateřina: O hraní a nehraní, a také o slonech a pejscích
Šrámek, Vratislav: Závěrečné slovo poroty festivalu Mateřinka 2019
Soprová, Jana: Loutkářská Chrudim pro všechny generace
Homolová, Michaela: Závěrečné slovo poroty přehlídky Loutkářská Chrudim 2019
Redakce Loutkář: Je to běh na dlouhou trať (rozhovor – Michal Drtina)
DISKUSE
Lešková-Dolenská, Kateřina: O festivalech ze všech stran
PROFIL
Švecová, Veronika: Chtěl bych si vyzkoušet čistě loutkovou inscenaci (rozhovor – Martin Tichý)
KONTEXT
Šlechtová, Ema: Jsem spíše solitér (rozhovor – Rudolf Hancvencl)
PROFIL
Vondráková, Adéla: Baví mě zkoušet nové materiály
UNIMA
Malíková, Nina: Oslavy UNIMA v Praze
Novák, Jan: Kde, jak a proč se zrodila UNIMA
SERIÁL
Boháčková, Kamila: Pina Bausch rumunské animace
Jirásek, Pavel: Loutka mezi divadlem, filmem a televizí 1970–1980 VII
Absolutely wonderful, better than expected.. a very talented puppet creator. Very pleased
Of course, the quality was good, and the packaging was careful. Pinocio also has a very cute face. It was the best!
This is fun because it can move like a human. I will practice so that I can control it better! I made a very good purchase. As expected, it's an authentic mionette!
Zlatna Kostova’s review: If you think you've already seen all the magic Prague has to offer, visit Czech Marionettes. It may well become the highlight of your trip. Walking into this beautiful workshop and gallery felt like stepping into another world – a world where every puppet has a personality, a history, and a soul. There are antique marionettes waiting to be lovingly restored, newly carved figures taking shape from blocks of linden wood, theatrical puppets, film puppets, one-of-a-kind collector's pieces, custom commissions, and charming souvenirs. Everywhere you look, you can feel that this is not simply a shop but a living workshop where Czech puppetry continues to flourish. Even before my visit, I knew that Czech puppetry is one of the country's great cultural traditions, recognized by UNESCO as part of the Intangible Cultural Heritage of Humanity. After spending time here, I understood why. This is not merely craftsmanship - it is an art form passed down through generations with extraordinary dedication and love. Lucie Robinson, the wonderful manager of Czech Marionettes, welcomed my friend Tanya and me with warmth and genuine enthusiasm. She shared how she herself fell in love with puppetry after making her very first marionette in the workshop of the internationally renowned master Martin Růžička. Through her stories - and through a fascinating video from Růžička's studio - we caught a glimpse of the artistry and passion behind his remarkable creations. Daniel then took us "behind the scenes", showing us sketches, designs, carving tools, unfinished puppets, and restoration projects. As he demonstrated the marionettes, he handled them as if they were living companions rather than wooden figures. His affection for them was impossible to miss and wonderfully contagious. Around us, the workshop was alive with creativity. One artist was carefully repairing the broom of an evil witch, while another was delicately painting the faces of the Princess and her Prince from "The Nutcracker" and refreshing their costumes. Watching these characters slowly come to life was absolutely mesmerizing. Leaving Czech Marionettes was surprisingly difficult. It reminded me of the feeling I had the first time I entered the newly opened "The Moon-lit Room" puppet theatre in Sofia - you simply don't want the enchantment to end. If you are visiting Prague, don't miss this extraordinary place. Whether you are a collector, a theatre lover, an artist, or simply someone who appreciates beautiful craftsmanship, Czech Marionettes offers an unforgettable experience. I already know that every time I return to Prague, this will be one of my first stops.
I missed the opportunity to purchase a marionette when I was in Prague so I bought this one. It’s so well made. I’m excited to show my grandkids! Rozkošný!
Zdroj recenzí: Loutky.cz, Google, Etsy
Pinocchio – nejznámější loutka na světě
Pinocchio – dřevěná super star
Anymátor KIT (skládačka) - vyrob si sám univerzální loutku
Edgar - originální dřevěná loutka